Ray Wylie pens ten of the 11 songs, and he approaches that minute line and even straddles it fearlessly in this collection that further exposes his/your demons. He is constantly taking a good hard look at that fine line between good and evil and is not afraid to approach it. You know that Ray is no longer imbibing as he did at one time and he has seen his path, but can also laugh at where he was. ![]() This, combined with the laconic/wry wit of the Ray Wylie-crafted songs provides a combination that seems so natural you wonder why it was never done before. Gurf's guitar and production adds sound as if it is laid down in the desert with a windstorm ragin' and the sandy grit permeating into every smallest crack and opening there is to be found or not. The big kicker here is that he has enlisted the stellar assistance of Gurf Morlix as both producer and guitarist. It is the spoken blues of Woodie Guthrie and Bob Dylan, but Ray Wylie has always been of that school of singer/songwriter going back to his early days. There are elements of slow country-blues to the soul styling from Memphis. ![]() ![]() However it is blues in feel, which is far more important. This is Ray Wylie Hubbard's blues album, though it is not blues in the traditional sense of 12-bar and three-chord progressions.
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